https://ogma.newcastle.edu.au/vital/access/ /manager/Index ${session.getAttribute("locale")} 5 https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:35579 Wed 04 Sep 2019 12:14:46 AEST ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:35246 Wed 03 Jul 2019 09:58:01 AEST ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:46679 Tue 29 Nov 2022 09:28:32 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:42406 Tue 23 Aug 2022 08:20:27 AEST ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:44247 Tue 11 Oct 2022 12:07:39 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:42874 Tue 06 Sep 2022 10:13:20 AEST ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:48965 Thu 20 Apr 2023 10:03:02 AEST ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:38261 Thu 19 Aug 2021 14:41:31 AEST ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:47583 Mon 23 Jan 2023 14:21:30 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:51596 Mon 11 Sep 2023 16:13:43 AEST ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:39100 Mon 09 May 2022 14:38:40 AEST ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:49957 Fri 16 Jun 2023 15:55:34 AEST ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:46156 Girls debuted in April 2012, it was unlike anything else on television, but today there are echoes of Girls’ indie tendencies and feminist sensibility across the Anglophone television landscape. In retrospect, it is clear that Girls is the flagship series of a recent cycle of women-centric dramedies on US television, which includes (but is not limited to) Transparent, Broad City, Insecure, One Mississippi, Catastrophe, Divorce, Better Things, SMILF and Shrill. These series are inspired by, in conversation with and/or reacting to the aesthetic, generic and/or feminist template established by Girls. This cycle represents the dialogic flow between and across film and television in the convergent era and is enabled by cultural, industrial and political conditions specific to the “peak” television moment. Owing to the centrality of production-based spectacle to both contemporary definitions of cinematic television and popular media feminisms, this cycle is rendered somewhat invisible to both categories. This article argues that the cycle and its series are perhaps best understood in relation to women’s indie cinema, or as a televisual manifestation of women’s indie cinema that could be called women’s indie television.]]> Fri 11 Nov 2022 19:12:48 AEDT ]]> https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:42960 Fri 09 Sep 2022 09:02:36 AEST ]]>