/manager/Index ${session.getAttribute("locale")} 5 Reappropriating Agatha Christie: an introduction /manager/Repository/uon:25374 Mon 23 Sep 2019 13:24:42 AEST ]]> "Beautiful shining order": detective authority in Agatha Christie's Murder on the Orient Express /manager/Repository/uon:24034 Murder on the Orient Express (1934) that highlights how Christie’s novel undermines Poirot’s authority as a detective and thereby also undermines his solution. The essay argues that the dénouement fails to bring about complete transparency and reduce the literary complexity of Christie’s plot.]]> Mon 23 Sep 2019 12:45:11 AEST ]]> The stripper castrated, or how Leigh Redhead's "Peepshow" stages the art of 'being both' /manager/Repository/uon:26151 Mon 23 Sep 2019 11:44:16 AEST ]]> Agatha Christie's 'Dead Man's Folly': stagnation, negation and adaptation /manager/Repository/uon:28403 Dead Man's Folly can assist in deconstructing the novel as a textual folly. A comparison of Dead Man's Folly to The Body in the Library reveals that Christie's tricks in the latter text, which may or may not have fooled Miss Marple, are also played on Hercule Poirot.]]> Mon 23 Sep 2019 10:23:12 AEST ]]> Clueless: genre, realism and contingency in Ed McBain's early 87th Precinct novels /manager/Repository/uon:25587 Fri 20 Sep 2019 02:42:43 AEST ]]>