https://ogma.newcastle.edu.au/vital/access/ /manager/Index ${session.getAttribute("locale")} 5 Serializing Sullivan: Vian/Sullivan, the Série noire and the effet de collection https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:26394 Bibliotèque de la Pléiade collection. Arguably, however, these are the complete fictional works of two authors: French writer Boris Vian and his black American pseudonymous creation, Vernon Sullivan. For critics like Edmund Smyth this must have represented long overdue recognition of the qualities of the latter's work.]]> Sat 24 Mar 2018 07:28:02 AEDT ]]> Murder, mayhem and clever branding: the stunning success of J. B. Fletcher https://ogma.newcastle.edu.au/vital/access/ /manager/Repository/uon:23118 Ellery Queen's Mystery Magazine, still published today, made its debut in 1941. In 1975, executive producers Richard Levinson and William Link brought the detective to television in a mystery series entitled Ellery Queen which challenged viewers to 'match wits with Ellery Queen'. Starring Jim Hutton in the lead role and David Wayne as his father, Inspector Richard Queen, the series survived only a single season. It was not until Levinson and Link, wanting to rework the concept, collaborated with Peter S. Fischer, one of the producers of the failed television series, that a media phenomenon was created in the form of Murder, She Wrote, one of the most successful ever Western television mystery series.]]> Sat 24 Mar 2018 07:15:31 AEDT ]]>