Dominance and submission, rhetoric and sincerity: insights from a production of Sophocles' 'Electra'

- Ewans, Michael

`Wistful remembrancer': the historiographical problem of Macqueen-Popery the dangers and relevance of anecdotage in theatre scholarship

- Davis, Jim, Emeljanow, Victor

Reflecting the audience: London theatre going, 1840-1880

- Emeljanow, Victor, Davis, Jim

Romantic and revolutionary theatre, 1789-1860

- Roy, Donald, Emeljanow, Victor, Richards, Kenneth, Richards, Laura

Aristophanes' Lysistrata

- Ewans, Michael

Aristophanes' The women's festival

- Ewans, Michael

Out of the dark: the first successful all-black musical Aboriginal celebrity and protest

- Ramsland, John, Mooney, Christopher

Meyerhold's footprint in Australian education practice

- Roy, David

Nelson drama for secondary students

- Roy, David

The 1602 additions to The Spanish tragedy

- Craig, Hugh

Staging the pirate: the ambiguities of representation and the significance of convention

- Emeljanow, Victor

Popular entertainments as survival strategies in prisoner-of-war camps during World War II

- Emeljanow, Victor

The role of the 'standard rig' in illuminating a production of Reginald Rose's Twelve Angry Men (1954)

- Dwyer, Simon, Franks, Rachel

The tough beauty project: interrogating girl to girl violence through theatre and drama

- Hatton, Christine

The inter-cultural Shakespeare

- Squires, Graham

Drama and digital arts cultures

- Cameron, David, Anderson, Michael, Wotzko, Rebecca

The speculative act in theatre and performance studies

- Mazer, Sharon

Harry Lyons is 'here, there and everywhere': Australia's late 19th century global entertainment broker

- Arrighi, Gillian

Celebrating childhood on the Vaudeville stage

- Arrighi, Gillian

Wesley Enoch's Black Medea

- Ewans, Michael C., Johnson, Marguerite