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Still the British model?: the BARB versus Nielsen
Homogenizing the radical, or vice versa? adapting (to) The Murder of Roger Ackroyd
- Rolls, Alistair, Franks, Rachel
Lest we forget black diggers: recovering Aboriginal Anzacs on television
Rebooting Roseanne: feminist voice across decades
Feminist cinematic television: authorship, aesthetics and gender in Pamela Adlon's Better Things
The evolution of entertainment news: “Entertainment Tonight’s” legacy to news programs and media culture
Can prison be a feminist space?: interrogating television representations of women's prisons
Alcohol advertising in sport and non-sport TV in Australia, during children's viewing times
- O'Brien, Kerry S., Carr, Sherilene, Ferris, Jason, Room, Robin, Miller, Peter, Livingston, Michael, Kypri, Kypros, Lynott, Dermot
Making film and television histories: Australia and New Zealand
- Bennett, James E., Beirne, Rebecca
- Wing-Fai, Leung, Gill, Rosalind, Randle, Keith
Examining creativity and cultural production: screen based media and the current research into creativity
Women's indie television: the intimate feminism of women-centric dramedies
Vaster than empire(s), and more slow: the politics and economics of embodiment in Doctor Who
- Cranny-Francis, Anne, Tulloch, John
Managing theatre and cinema in colonial India: Maurice E. Bandmann, J.F. Madan and the war films’ controversy
Screening the dykes of Oz: lesbian representation on Australian television
The musical number as feminist intervention in Crazy Ex-Girlfriend
- Ford, Jessica, Macrossan, Phoebe
Introduction: queer women on television today
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