"Lad flicks": discursive reconstructions of masculinity in popular film

- Gill, Rosalind, Hansen-Miller, David

'Working in communities, connecting with culture': reflecting on u-matic to YouTube a national symposium celebrating three decades of Australian Indigenous community filmmaking

- Davis, Therese, Moreton, Janelle

A challenging vision: the teacher-student relationship in The Heartbreak Kid

- May, Josephine

Bollywood and its other(s): towards new configurations

- Kishore, Vikrant, Sarwal, Amit, Patra, Parichay

Consistent pickings but few difficult pleasures (55th Sydney Film Festival)

- Ford, Hamish

Cyborgasm: machines and male hysteria in the cinema of the eighties

- Kibby, Marj

Determining the thickness of liquid film in laminar condition on a rotating drum surface using CFD

- Khan, N., Naser, J.

Edible films and coatings for improving postharvest quality of fresh horticulture produce

- Thakur, Rahul

Foam slip on surfaces of intermediate or low wettability

- Ireland, Peter M., Jameson, Graeme J.

Giving Newcastle the (surf) flick: surfing celluloid from the (former) steel city

- Scott, Paul

Guy Westwell, war cinema: Hollywood on the front line (book review)

- Dwyer, Philip

Metropolis in twilight: urban consciousness in contemporary Chinese literature

- Li, Xia

Philosophy goes to the movies

- Falzon, Christopher

Philosophy goes to the movies: an introduction to philosophy

- Falzon, Christopher

Polymer/clay nanocomposites: influence of ionic strength on the structure and adhesion characteristics in multilayered films

- Stefanescu, Eduard A., Stefanescu, Cristina, Donose, Bogdan C., Garno, Jayne C., Daly, William H., Schmidt, Gudrun, Negulescu, Ioan I.

Post-war modernist cinema and philosophy: confronting negativity and time

- Ford, Hamish

Step mediated surface alloy formation of Pt/Cu(111)

- Dastoor, Paul Christopher, O'Connor, Daryl John, MacLaren, D A, Allison, W, Noakes, T C Q, Bailey, P

Why be moral?

- Falzon, Chris