Shakespeare and print

- Craig, Hugh

Shakespeare and print

- Craig, Hugh

Shakespeare's Macbeth: poster-boy for contemporary masculinity?

- Hateley, Erica

'Speak, that I may see thee': Shakespeare characters and common words

- Craig, Hugh

Word vs image: cognitive hunger in Shakespeare's England (book review)

- Lunney, Ruth

Introduction

- Craig, Hugh, Kinney, Arthur F.

Methods

- Craig, Hugh, Kinney, Arthur F.

The three parts of Henry VI

- Craig, Hugh

Shakespeare's vocabulary: myth and reality

- Craig, Hugh

A second opinion on 'Shakespeare and authorship studies in the twenty-first century'

- Burrows, John

Shakespeare's foreign worlds: national and transnational identities in the Elizabethan Age [Review]

- Craig, Hugh

Language individuation and marker words: Shakespeare and his Maxwell's demon

- Marsden, John, Budden, David, Craig, Hugh, Moscato, Pablo

The Quest for "Cardenio": Shakespeare, Fletcher, Cervantes, and the lost play ed. by David Carnegie and Gary Taylor (review)

- Craig, Hugh

"Mingled yarn": the state of computing in Shakespeare 2.0

- Hirsch, Brett D., Craig, Hugh

An information theoretic clustering approach for unveiling authorship affinities in Shakespearean era plays and poems

- Arefin, Ahmed Shamsul, Vimieiro, Renato, Riveros, Carlos, Craig, Hugh, Moscato, Pablo

Love's Victory, pastoral, gender, and As You Like It

- Salzman, Paul

The Shakespearean international yearbook: special section, digital Shakespeares

- Bishop, Tom, Huang, Alexa, Hirsch, Brett D., Craig, Hugh

'The teares of ten thousand spectators': Shakespeare's experiments with emotion from Talbot to Richard II

- Lunney, Ruth

A voyage to the new world: Viola’s journey to view man’s estate in shōjo manga Twelfth Night

- Chen, Yilin

To love or not to be: Janek Ledecky’s musical hamlet and Shakespeare negotiations in Korea

- Im, Yeeyon