Your selections:
A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art
A hop, a frock, a hairdo: a hop, a frock, a hairdo: Irene Castle and her female networks of theatrical business
A sticky subject: new media popular entertainments
A voyage to the new world: Viola’s journey to view man’s estate in shōjo manga Twelfth Night
An evolutionary perspective on live and mediated popular performance
Automata and Bêtise: contamination anxieties in late nineteenth-century French mime
Between modernism and Japonism: The Mousmé and the cultural mobility of musical comedy
Beyond Svengali: contemporary stage hypnosis performance techniques and psychophysical actor training
Black Fridays: Transatlantic entertainments and the racial construction of Robinson Crusoe’s Man Friday
Boos, tears, sweat and toil: experiencing the 2015 Eurovision song contest live
Brokering sonic modernities: migrant Manila musicians in the Asia Pacific, 1881-1948
Business as usual?: the changing structure of “the Italian company” during their Scandinavian tour, 1800–1802
Come over here! the local hybridisation of international ‘Ragtime Revues’ in Australia
Current organisational and creative transformations of Ukrainian circus arts
Dancing around white fragility: El Vez 4 Prez in the time of Trump
Dancing Like a Brazilian: Negotiating Authenticity in Australian Samba Performance
Editorial
- Arrighi, Gillian, Bollen, Jonathan
Editorial
- Arrighi, Gillian, Bollen, Jonathan
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