Your selections:
Editorial
- Arrighi, Gillian, Bollen, Jonathan
Editorial
- Arrighi, Gillian, Bollen, Jonathan
Methodologies of the popular (editorial)
Managing theatre and cinema in colonial India: Maurice E. Bandmann, J.F. Madan and the war films’ controversy
Between modernism and Japonism: The Mousmé and the cultural mobility of musical comedy
‘New’ hippodrama, or ‘old’ circus?: Legacy and innovation in contemporary equestrian performance
The celebrated circus tunes: music and musicians in an eighteenth-century circus
Transatlantic journeys: John Bill Ricketts and the Edinburgh Equestrian Circus
“You base football player” (King Lear 1.5.91): the rise and significance of the soccer play as index of identity
Sport, entertainment and the live(d) experience of cheering
Then and Now – Sorlie’s tour to Broken Hill in 1960
Here from There—travel, television and touring revues: internationalism as entertainment in the 1950s and 1960s
Liveness anxiety: karaoke and the performance of class
From Pedrolino to a Pierrot: the origin, ancestry and ambivalence of the British Pierrot Troupe
Fabricating space: postmodern popular music performance venues on cruise ships
Virtual Experience in the Performing Arts: K-Live Hologram Music Concerts
- Chang, WoongJo, Shin, Hyung-Deok
A voyage to the new world: Viola’s journey to view man’s estate in shōjo manga Twelfth Night
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