Laughter from Hades: Aristophanic Voice Today*

- Radulović, Ifigenija, Petkovits, Ismene Helen Radoulovits

The evolution of entertainment news: “Entertainment Tonight’s” legacy to news programs and media culture

- Magee, Sarah

Transatlantic journeys: John Bill Ricketts and the Edinburgh Equestrian Circus

- Baston, Kim

Re-valuing Swedish outdoor theatre

- Stromberg, Mikael

International advocacy for fire prevention: calculating risk and brokering best practices in theatres

- Davis, Tracy C.

“You base football player” (King Lear 1.5.91): the rise and significance of the soccer play as index of identity

- Bennett, John

The celebrated circus tunes: music and musicians in an eighteenth-century circus

- Baston, Kim

Tremendous success and terrible failure: the Broadway shows of Edward Gorey

- Gunn, Tony

Here from There—travel, television and touring revues: internationalism as entertainment in the 1950s and 1960s

- Bollen, Jonathan

Industrialised music brokers as competing market players: the administration of music rights in Germany (ca. 1870-1930)

- Pahlow, Louis S.

Editorial

- Arrighi, Gillian, Bollen, Jonathan

Managing theatre and cinema in colonial India: Maurice E. Bandmann, J.F. Madan and the war films’ controversy

- Balme, Christopher

Zarzuela and the rise of the labour movement in Spain

- Schinasi, Michael

For the sake of variety

- Pickering, Michael

From Pedrolino to a Pierrot: the origin, ancestry and ambivalence of the British Pierrot Troupe

- Calvert, Dave

Transportation, transformation and Utopia in musicals

- Eigtved, Michael

Liveness anxiety: karaoke and the performance of class

- Brown, Kevin

Editorial

- Emeljanow, Victor

The speculative act in theatre and performance studies

- Mazer, Sharon

Circus studies: where to next?

- Arrighi, Gillian