"Beautiful shining order": detective authority in Agatha Christie's Murder on the Orient Express

- Gulddal, Jesper

Homogenizing the radical, or vice versa? adapting (to) The Murder of Roger Ackroyd

- Rolls, Alistair, Franks, Rachel

Ex uno plures: Global French in, on and of the rue morgue and the orient express

- Rolls, Alistair

Just a dream: a partial re-solution of Agatha Christie's 'And then there were none': A case of almost, but not quite, getting the job done

- Rolls, Alistair

Ten missing minutes to disavow the passing of hours: a psychological, analytical rereading of The Murder of Roger Ackroyd

- Rolls, Alistair

An age of contradiction, or who killed Colonel Protheroe?

- Rolls, Alistair

Pierre Bayard and the ironies of detective criticism: from text back to work

- Rolls, Alistair, Gulddal, Jesper

Lever le rideau sur Hercule Poirot quitte la scène: Agatha Christie à la lumière de Pierre Bayard

- Rolls, Alistair

An ankle queerly turned, or the fetishised bodies in Agatha Christie's The Body in the Library

- Rolls, Alistair

'That deep underground savage instinct' narratives of sacrifice and retribution in Agatha Christie's Appointment with Death

- Gulddal, Jesper

Adapting to loiterly reading: Agatha Christie's original adaptation of "The witness for the prosecution"

- Rolls, Alistair

Agatha Christie's 'Dead Man's Folly': stagnation, negation and adaptation

- Rolls, Alistair

Putting people in jail, putting people in books: author characters in Agatha Christie and Dashiell Hammett

- Gulddal, Jesper