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Your selections:
A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art
- Infantino, Julieta
A hop, a frock, a hairdo: a hop, a frock, a hairdo: Irene Castle and her female networks of theatrical business
- Leonhardt, Nic
A voyage to the new world: Viola’s journey to view man’s estate in shōjo manga Twelfth Night
- Chen, Yilin
Automata and Bêtise: contamination anxieties in late nineteenth-century French mime
- Purcell-Gates, Laura
Between modernism and Japonism: The Mousmé and the cultural mobility of musical comedy
- Balme, Henry
Beyond Svengali: contemporary stage hypnosis performance techniques and psychophysical actor training
- Stroud, Cynthia D.
Black Fridays: Transatlantic entertainments and the racial construction of Robinson Crusoe’s Man Friday
- Pettersen Lantz, Victoria
Boos, tears, sweat and toil: experiencing the 2015 Eurovision song contest live
- Hay, Chris, Kanafani, Billy
Brokering sonic modernities: migrant Manila musicians in the Asia Pacific, 1881-1948
- yamomo, meLê
Business as usual?: the changing structure of “the Italian company” during their Scandinavian tour, 1800–1802
- Gjervan, Ellen Karoline
Circus studies: where to next?
- Arrighi, Gillian
Come over here! the local hybridisation of international ‘Ragtime Revues’ in Australia
- Kelly, Veronica
Current organisational and creative transformations of Ukrainian circus arts
- Kashuba, Vladyslav
Dancing around white fragility: El Vez 4 Prez in the time of Trump
- Martinson, Karen Jean
Dancing Like a Brazilian: Negotiating Authenticity in Australian Samba Performance
- Shaddick, Lillian Jean
Editorial
- Arrighi, Gillian, Bollen, Jonathan
- Emeljanow, Victor
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