Laughter from Hades: Aristophanic Voice Today*

- Radulović, Ifigenija, Petkovits, Ismene Helen Radoulovits

Circus studies: where to next?

- Arrighi, Gillian

Tremendous success and terrible failure: the Broadway shows of Edward Gorey

- Gunn, Tony

Editorial

- Arrighi, Gillian, Bollen, Jonathan

Popular theatre in Naples: the Sceneggiata

- Furno, Raffaele

“‘Real Live’ Indian”: Sitting Bull’s performance of Self in Buffalo Bill’s Wild West

- Magelssen, Scott, Nees, Heidi L.

Parlour conflagrations: science and special effects in manuals for amateur theatricals

- Curley, Eileen

Sex, death, Dickens, and the early American musical

- Senelick, Laurence

In the belly of the beast: the itinerant British showman and the definition of ‘seer performance’

- Lidington, Tony

The Diva Re-Vamped: destabilising notions of the diva in the cabaret of Paul Capsis and Meow Meow

- Loth, Jo

Fabricating space: postmodern popular music performance venues on cruise ships

- Cashman, David

The 'D'Oyly Carte pantomimes': complementarity and innovation

- Arrighi, Gillian

Editorial

- Emeljanow, Victor

Performing Shakespeare in Colonial Taiwan: early Japanese settlers and the bounds of theatrical imperialism, 1895‐1916

- Hsu, Yi‐Hsin

Boos, tears, sweat and toil: experiencing the 2015 Eurovision song contest live

- Hay, Chris, Kanafani, Billy

The evolution of entertainment news: “Entertainment Tonight’s” legacy to news programs and media culture

- Magee, Sarah

Editorial

- Emeljanow, Victor

Industrialised music brokers as competing market players: the administration of music rights in Germany (ca. 1870-1930)

- Pahlow, Louis S.

For the sake of variety

- Pickering, Michael

Via Vallen phenomenon: the emergence of the Queen of Indonesian Dangdut Koplo

- Riyanto, Edi Dwi, Dewi, Anita Sartika