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Your selections:
Business as usual?: the changing structure of “the Italian company” during their Scandinavian tour, 1800–1802
- Gjervan, Ellen Karoline
Full Houses: mobility and complicity in the dramas of real buildings
- Davies, Paul
The celebrated circus tunes: music and musicians in an eighteenth-century circus
- Baston, Kim
Editorial
- Emeljanow, Victor
If only … Brooks McNamara, 1937 – 2009 a personal valediction
- Mayer, David
Reverse ethnology in Punch
- Goodall, Jane
Transatlantic journeys: John Bill Ricketts and the Edinburgh Equestrian Circus
The very model of a modern...? reflections around The Empire Actors
- McPherson, Alisa
- Arrighi, Gillian, Bollen, Jonathan
The mountain bandits of the Hellenic Shadow Theatre of Karaghiozis: criminals or heroes?
- Papageorgiou, Ioanna
Wonderland Eurasia: theme parks and Neo-Ottoman identity politics in Ankara, Turkey
- Tunc, Tanfer Emin, Tunc, Gokhan
“Entertaining” the notion of change: the transformative power of performance in Argentine pop
- Favoretto, Mara, Wilson, Timothy D.
Laughter from Hades: Aristophanic Voice Today*
- Radulović, Ifigenija, Petkovits, Ismene Helen Radoulovits
“That sort of fairy tale’s no use in the New Victorian Age that’s coming”: the past as a metaphor for the present in Peter Nichols’s Poppy
- Sladen, Simon
Zarzuela and the rise of the labour movement in Spain
- Schinasi, Michael
Staircases and their theatrical impact
- Donohue, Joseph
- Leonhardt, Nic
Here from There—travel, television and touring revues: internationalism as entertainment in the 1950s and 1960s
- Bollen, Jonathan
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