Your selections:
"Je Suis comme une truie qui broute": une lecture pomologique de Truismes de Marie Darrieussecq
"This lovely, sweet refrain": reading the fiction back into Nausea
Agatha Christie's 'Dead Man's Folly': stagnation, negation and adaptation
An ankle queerly turned, or the fetishised bodies in Agatha Christie's The Body in the Library
An uncertain space: (dis-)locating the Frenchness of French and Australian detective fiction
Baudelaire's Paris: a new, urban (prose) poetics
Baz Luhrmann's William Shakespeare's Romeo + Juliet: The nauseous art of adaptation
- Hughes, Neil, Rolls, Alistair
Boris Vian's eternal sunshine, or the truth about mother's textuality
Boris Vian: a life in paradox
- Rolls, Alistair, West-Sooby, John, Fornasiero, Jean
Camus’ Algerian in Paris: a prose poetic reading of L’Étranger
Changing the tide and the tidings of change: Robert Drewe's The Drowner
- Rolls, Alistair, Alayrac, Vanessa
Comic literature in France (book review)
- Rolls, Alistair, Sitbon, Clara, Vuaille-Barcan, Marie-Laure
Conspectus interruptus: Dirty Harry and the trouble in the Fillmore district
Creative, critical, intertextual: Agatha Christie's The Murder of Roger Ackroyd
De Cul-de-sac a Piege nuptial: Les avatars d'un texte et de ses paratextes
- Vuaille-Barcan, Marie-Laure, Rolls, Alistair
Detecting and (re)solving conflicts in French crime fiction: introduction
- Anderson, Jean, Kimyongür, Angela, Rolls, Alistair
Detective fiction and the critical-creative nexus
- Gulddal, Jesper, Rolls, Alistair
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