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Alessandro Scarlatti (1660 - 1725). L'Orfeo: cantata for voice (S), two violins, and basso continuo
Introducing the online Early Music Directory of Australia
Alessandro Scarlatti, Four Sonate a Quattro: two violins, viola and violoncello
Venere, Adone, e Amore: serenatas and cantatas by Alessandro Scarlatti
A voi che l'accendeste: for solo voice and continuo
Performing proportion: crux awareness in Scarlatti interpretation
- Harper, Nancy Lee, Henriques, Tomás, Halton, Rosalind
- Halton, Rosalind, Allan, Christopher, Hoadley, Ben, Walker, Sally
Explorations around bass parts and key schemes: recording the cantatas of Alessandro Scarlatti
Alessandro Scarlatti (1660 - 1725). Lucretia Romana: cantata for soprano and basso continuo
Alessandro Scarlatti: solo serenatas
- Catsalis, Marie-Louise, Halton, Rosalind
Scarlatti father and son: a musical relationship
Domenico Scarlatti and his cantabile sonatas
Collaboration and the Italian solo cantata
- Halton, Rosalind, Simpson, Rowena, Sussex, Polly
'Senza cimbalo al tavolino': Alessandro Scarlatti and his 4 Sonate a quattro
- Halton, Rosalind, Talbot, Michael
Serenata in flux: the two versions of Venere, Adone, et Amore by Alessandro Scarlatti
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