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‘Show Don’t Tell’: What Creative Writing Has to Teach Philosophy

Creative disclosures of difference: the crip body in the temporal space of higher education

Poetry as decolonial praxis

Political readings in contemporary Australian poetry

Eighteenth and Nineteenth-Century Sapphos in France, England, and the United States

handshake & Why Are My Hands Shaking Like This?: Material Ecopoetics, Formplay and the Panic Sublime

Introduction: remembering in Paris and Paris as remembering

Mishearing and the voice in poetry

Poetry as speculative science: the origins of the Gaia hypothesis in poetry and myth

Sappho in Australia and New Zealand

Sappho in the Salons

Doubtful readers: print, poetry, and the reading public in early modern England

How Alexander Dyce assembled specimens of British poetesses: a key moment in the transmission of early modern women's writing

  • Creator: Salzman, Paul
  • Resource Type: journal article
  • Date: 2019

The Critical Fortunes of the Tenth Muse: Canonicity and its Discontents

'What if John Forbes had been around to live tweet during Q & A?': post-internet poetry and the self

'What lies beyond': mimesis and transcendence in the portrait poetry and poetic translations of Peter Dane

Anatomy of Voice

Chronotype Highway

Death by Water 2

Murmer

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