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Opera from the Greek: studies in the poetics of appropriation

Brecht at the opera (book review)

Love and death in art song and opera from 1810-1947

Taneyev's Oresteia

J. Leonhardt, S. Leopold, M. Meier Wege, Umwege und Abwege. Antike und Oper in der 1. Hälfte des 20. Jahrhunderts. Pp. 127. Stuttgart: Franz Steiner, 2011. Paper, E32. ISBN: 978-3-515-09928-8 (book review)

Victorian culture and classical antiquity: art, opera, fiction, and the proclamation of modernity (book review)

  • Creator: Lindsay, Hugh
  • Resource Type: journal article
  • Date: 2013

Wagnerism in Moravia: Janácek's first opera, 'Sárka'

Two Landmarks in Wagner Production: Patrice Chéreau’s Centenary Ring (1976) and Nikolaus Lehnhof’s Parsifal (2004)

Gluck the modernist: Pierre Audi's production of the Iphigénie operas

Rhetorical concepts and Mozart: elements of classical oratory in his drammi per musica

Performing opera: a practical guide for singers and directors

Die klingende Ferne; Walter Braunfels’ Opera Die Vogel after Aristophanes’ Birds

From serenata to opera stage: Giovanni Bononcini's serenata Amor per Amore (Rome, August 1696) as inspiration and source material for Il Trionfo di Camilla (Naples, December 1696)

Nature in Berg’s Wozzeck

Theatre Royal Drury Lane: Henry the Fourth (playbill)

  • Resource Type: still image
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