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Book review: Detective Agency: Women Rewriting the Hard-Boiled Tradition

Spleen noir: images de Marianne dans les petits poèmes en prose de Léo Malet et Frédéric Cathala

An uncertain space: (dis-)locating the Frenchness of French and Australian detective fiction

Arthur Upfield and Philip McLaren: pioneering partners in Australian ethnographic crime fiction

From wolf to wolf-man: foreignness and self-alterity in Fred Vargas's L'Homme à l'envers

French crime fiction and the Second World War: past crimes, present memories (book review)

The pleasures of crime: reading modern French crime fiction (book review)

Traduit de l'américain from Poe to the Série Noire: Baudelaire's greatest hoax?

'There's a dead body in my library': crime fiction texts and the history of libraries

Bodies and books: crime fiction novels and the history of libraries

Getting under the skin to read the signs: the call of classical myths and mysteries in Leigh Redhead's 'Peepshow'

Murder, mayhem and clever branding: the stunning success of J. B. Fletcher

The re-imagining inherent in crime fiction translation

Agatha Christie's 'Dead Man's Folly': stagnation, negation and adaptation

Creative, critical, intertextual: Agatha Christie's The Murder of Roger Ackroyd

Disparitions et réapparitions, Mort et Renaissance: les traductions fantasques de Marcel Duhamel

Empty Sydney or Sydney emptied: Peter Corris's national allegory translated

Learning all the tricks: critiquing crime fiction in a creative writing PhD

Liminal translation, translating liminality and translatability as limen: Andrea Camilleri's The Shape of Water

Mavis Seidlitz: partner in crime and metonym for crime fiction partnership

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