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'Choice things of value': the mysterious genesis and character of the VI concertos in seven parts attributed to Alessandro Scarlatti

Night and dreams: text, texture, and night themes in cantatas by Alessandro Scarlatti

Alessandro Scarlatti: solo serenatas

Birthday tribute or cantata contest: Alessandro Scarlatti's 'A Voi Che L'Accendeste'

A voi che l'accendeste: for solo voice and continuo

Explorations around bass parts and key schemes: recording the cantatas of Alessandro Scarlatti

Serenata in flux: the two versions of Venere, Adone, et Amore by Alessandro Scarlatti

Venere, Adone, e Amore: serenatas and cantatas by Alessandro Scarlatti

Alessandro Scarlatti (1660 - 1725). L'Orfeo: cantata for voice (S), two violins, and basso continuo

Alessandro Scarlatti, Four Sonate a Quattro: two violins, viola and violoncello

Rhythmic inequality (letter)

Alessandro Scarlatti: Venere, Adone, et Amore: original version, Naples 1696 and revised version, Rome 1706

Performing proportion: crux awareness in Scarlatti interpretation

Musicology waiting for performance: some persistent problems in reviving the Italian cantata repertoire

Alessandro Scarlatti (1660 - 1725). Lucretia Romana: cantata for soprano and basso continuo

Alessandro Scarlatti's Venus in transit from Naples to Rome: the two versions of the Serenata Venere, Adone & Amore, Naples 1696 and Rome 1706

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