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An age of contradiction, or who killed Colonel Protheroe?

As sedate as swans: the Parisian side of Jean-Paul Sartre's La Nausée

Charles Baudelaire's Paris spleen: re-presenting Paris

Murder most incidental: Arthur Upfield’s death of a Lake (1954)

Primates in Paris and Edgar Allan poe's paradoxical commitment to foreign languages

"Tiret ou (ne) pas tiret? la double auctorialite chez San-Antonio et Vernon Sullivan"

Beginnings and Endings

Homogenizing the radical, or vice versa? adapting (to) The Murder of Roger Ackroyd

Introduction: loitering on

L'Automne a Pekin, ou la transmedialite mise en scene

Saving Paris from nostalgia: jumbling the urban and seeing swans everywhere

The Ethics of Reading in the Double Negative

Adapting to loiterly reading: Agatha Christie's original adaptation of "The witness for the prosecution"

Criminal moves: towards a theory of crime fiction mobility

Just a dream: a partial re-solution of Agatha Christie's 'And then there were none': A case of almost, but not quite, getting the job done

Moving Fergus Hume’s The Mystery of a Hansom Cab and Breaking the Frame of Poe’s ‘The Murders in the Rue Morgue’

Auteur is French for Author, too: Translating Other Afterthoughts Inspired by King Vidor's Duel in the Sun into French Literature

Empty Sydney or Sydney emptied: Peter Corris's national allegory translated

Ex uno plures: Global French in, on and of the rue morgue and the orient express

Heads and tails: Apocope, decollation and detective fiction's inherent self-alterity

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