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'Choice things of value': the mysterious genesis and character of the VI concertos in seven parts attributed to Alessandro Scarlatti

Night and dreams: text, texture, and night themes in cantatas by Alessandro Scarlatti

Scarlatti father and son: a musical relationship

Thomas Roseingrave: complete keyboard music (book review)

Domenico Scarlatti and his cantabile sonatas

From serenata to opera stage: Giovanni Bononcini's serenata Amor per Amore (Rome, August 1696) as inspiration and source material for Il Trionfo di Camilla (Naples, December 1696)

From hailstones to hallelujah: the first Handel commemoration

Alessandro Scarlatti: solo serenatas

Birthday tribute or cantata contest: Alessandro Scarlatti's 'A Voi Che L'Accendeste'

A voi che l'accendeste: for solo voice and continuo

Alessandro Scarlatti and the Roman copies of his Neapolitan compositions: a source study of the serenata Venere, Adone, et Amore (1696)

'Senza cimbalo al tavolino': Alessandro Scarlatti and his 4 Sonate a quattro

Explorations around bass parts and key schemes: recording the cantatas of Alessandro Scarlatti

Nicola Porpora and the cantabile cello

Serenata in flux: the two versions of Venere, Adone, et Amore by Alessandro Scarlatti

Louis Couperin and friends

Concert for a New Era: Monody by Claudio Saracini (1624); Vivaldi, Sonata for flute, bassoon, and basso continuo

Collaboration and the Italian solo cantata

Sunday Live: Recital of Italian Baroque Music

Venere, Adone, e Amore: serenatas and cantatas by Alessandro Scarlatti

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