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Aeschylus and opera

Agamemnon's influence in Germany: Goethe, Schiller and Wagner

Ancient Rome in early opera (book review)

Aristophanes and history: the politics of Lysistrata, Thesmophoriazousai (The Women's Festival) and frogs

Aristophanes' Lysistrata

Aristophanes' The women's festival

Aristophanes: acharnians, knights, and peace.

Brecht at the opera (book review)

Carl Caulfield: Hecuba Reimagined

Die klingende Ferne; Walter Braunfels’ Opera Die Vogel after Aristophanes’ Birds

Dominance and submission, rhetoric and sincerity: insights from a production of Sophocles' 'Electra'

Gluck the modernist: Pierre Audi's production of the Iphigénie operas

Greek drama in opera

Interpretation and performance: The Turn of the Screw by Benjamin Britten and Myfanwy Piper

Iphigénie en Tauride and Elektra: 'Apolline' and 'Dionysiac' receptions of Greek tragedy into opera

J. Leonhardt, S. Leopold, M. Meier Wege, Umwege und Abwege. Antike und Oper in der 1. Hälfte des 20. Jahrhunderts. Pp. 127. Stuttgart: Franz Steiner, 2011. Paper, E32. ISBN: 978-3-515-09928-8 (book review)

Kaspar Holten's production of Szymanowski's King Roger: a test of 'fidelity'

Mask and performance in Greek tragedy: from ancient festival to modern experimentation (book review)

Opera from the Greek: studies in the poetics of appropriation

Performance-based research into Greek drama

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