Your selections:
From wolf to wolf-man: foreignness and self-alterity in Fred Vargas's L'Homme à l'envers
Writing for the discipline in the discipline?
- Buzzi, Olivier, Grimes, Susan, Rolls, Alistair
Baudelaire's Paris: a new, urban (prose) poetics
Baz Luhrmann's William Shakespeare's Romeo + Juliet: The nauseous art of adaptation
Boris Vian's eternal sunshine, or the truth about mother's textuality
Camus’ Algerian in Paris: a prose poetic reading of L’Étranger
Film Criticism as Cultural Fantasy: the Perpetual French Discovery of Australian Cinema (book review)
French studies and creative writing: writing self and other: 'any where out of the world'
Introduction: Unwrapping the French paratext
- Rolls, Alistair, Pratt, Murray
Masking Strategies: Unwrapping the French Paratext
- Rolls, Alistair, Vuaille-Barcan, Marie-Laure
Postface: paratextuality, self-alterity and the becoming-text
- Rolls, Alistair, Vuaille-Barcan, Marie-Laure
The Last Chance: Roads of Freedom IV (book review)
The striptease at the dead heart of Douglas Kennedy's Piége nuptial or how to be a bit French around the edges
Variations on the hexagon: getting the measure of culture change in contemporary France
- Pratt, Murray, Rolls, Alistair
Jacques Prévert’s queer acts of speech, or, an apologia for a postmodern curriculum
L'elegante de la rue Lepic: a New Look for une passante
An uncertain space: (dis-)locating the Frenchness of French and Australian detective fiction
French and American noir: dark crossings
- Rolls, Alistair, Walker, Deborah
Interrogating the idea of national detective fictions, or French detective fiction: what other type is there?
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