Your selections:
Retelling the Vernon Sullivan Hoax, Or What has been Neglected in the Telling: Why People Do Not Care About Elles se rendent pas compte (1950)
- Sitbon, Claire, Rolls, Alistair, Vuaille-Barcan, Marie-Laure
Smoking in Arcadia, or Barry Maitland’s embodied folly: re-opening the case of The Malcontenta
The Larrikin as Hero (in French Studies)
- Hainge, Greg, Rolls, Alistair
An ankle queerly turned, or the fetishised bodies in Agatha Christie's The Body in the Library
- Rolls, Alistair, Sitbon, Clara, Vuaille-Barcan, Marie-Laure
Detecting and (re)solving conflicts in French crime fiction: introduction
- Anderson, Jean, Kimyongür, Angela, Rolls, Alistair
- Johnson, Marguerite, Rolls, Alistair
Mobile criticism: Pierre Bayard's irreverent hermeneutics
- Gulddal, Jesper, Rolls, Alistair
Serializing Sullivan: Vian/Sullivan, the Série noire and the effet de collection
- Sitbon, Clara, Vuaille-Barcan, Marie-Laure, Rolls, Alistair
The re-imagining inherent in crime fiction translation
Agatha Christie's 'Dead Man's Folly': stagnation, negation and adaptation
Creative, critical, intertextual: Agatha Christie's The Murder of Roger Ackroyd
Detective fiction and the critical-creative nexus
- Gulddal, Jesper, Rolls, Alistair
Disparitions et réapparitions, Mort et Renaissance: les traductions fantasques de Marcel Duhamel
- Rolls, Alistair, Sitbon, Clara, Vuaille-Barcan, Marie-Laure
Empty Sydney or Sydney emptied: Peter Corris's national allegory translated
J'irai cracher sur vos tombes and the Série Noire: pseudonymy, pseudo-translation, pseudo-parody
- Rolls, Alistair, Vuaille-Barcan, Marie-Laure, Sitbon, Clara
Liminal translation, translating liminality and translatability as limen: Andrea Camilleri's The Shape of Water
Mavis Seidlitz: partner in crime and metonym for crime fiction partnership
Pierre Bayard and the ironies of detective criticism: from text back to work
- Rolls, Alistair, Gulddal, Jesper
Reappropriating Agatha Christie: an introduction
- Rolls, Alistair, Gulddal, Jesper
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