Your selections:
Looking (back) at the Moon in Parisian Cinema
Reappropriating Agatha Christie: an introduction
- Rolls, Alistair, Gulddal, Jesper
The Ethics of Reading in the Double Negative
Baz Luhrmann's William Shakespeare's Romeo + Juliet: The nauseous art of adaptation
Spleen noir: images de Marianne dans les petits poèmes en prose de Léo Malet et Frédéric Cathala
Of mice and murder: playing cat and mouse with Boris Vian's L'ecume des jours
Postface: paratextuality, self-alterity and the becoming-text
- Rolls, Alistair, Vuaille-Barcan, Marie-Laure
How relevant is relevance? Weighing the relative value of relevance and situatedness against disciplinary integrity in the teaching of French in Australian universities
- Rolls, Alistair, Vuaille-Barcan, Marie-Laure
Mets ton doigt où j'ai mon doigt: Psychanalyse des contes de Dard
Silk or nylon: Boris Vian, leg fetishism and the American way
An uncertain space: (dis-)locating the Frenchness of French and Australian detective fiction
Camus’ Algerian in Paris: a prose poetic reading of L’Étranger
Telling Tales: The True Story of The Handmaid’s Tale
Disparitions et réapparitions, Mort et Renaissance: les traductions fantasques de Marcel Duhamel
- Rolls, Alistair, Sitbon, Clara, Vuaille-Barcan, Marie-Laure
Bypassing Paris, Horizontally and Vertically
- Rolls, Alistair, Hamilton, Emma
Elles se rendent pas compte intertextuel et paratextuel: un Chinetoque peut-il en cacher un autre?
Baudelaire’s Paris Looking at Africa, and Vice Versa
- Rolls, Alistair, Johnson, Marguerite
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