Your selections:
'There's a dead body in my library': crime fiction texts and the history of libraries
Agatha Christie's 'Dead Man's Folly': stagnation, negation and adaptation
An uncertain space: (dis-)locating the Frenchness of French and Australian detective fiction
Arthur Upfield and Philip McLaren: pioneering partners in Australian ethnographic crime fiction
- Ramsland, John, Ramsland, Marie
Bodies and books: crime fiction novels and the history of libraries
Book review: Detective Agency: Women Rewriting the Hard-Boiled Tradition
Creative, critical, intertextual: Agatha Christie's The Murder of Roger Ackroyd
Criminal moves: towards a theory of crime fiction mobility
- Gulddal, Jesper, King, Stewart, Rolls, Alistair
Disparitions et réapparitions, Mort et Renaissance: les traductions fantasques de Marcel Duhamel
- Rolls, Alistair, Sitbon, Clara, Vuaille-Barcan, Marie-Laure
Empty Sydney or Sydney emptied: Peter Corris's national allegory translated
Empty Sydney or Sydney emptied: Peter Corris's national allegory translated
French crime fiction and the Second World War: past crimes, present memories (book review)
From wolf to wolf-man: foreignness and self-alterity in Fred Vargas's L'Homme à l'envers
- Johnson, Marguerite, Rolls, Alistair
Introduction: new directions in crime fiction scholarship
- Allan, Janice, Gulddal, Jesper, King, Stewart, Pepper, Andrew
Learning all the tricks: critiquing crime fiction in a creative writing PhD
Liminal translation, translating liminality and translatability as limen: Andrea Camilleri's The Shape of Water
Mavis Seidlitz: partner in crime and metonym for crime fiction partnership
Murder, mayhem and clever branding: the stunning success of J. B. Fletcher
- Franks, Rachel, Brien, Donna Lee
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