Your selections:
Trilogy as triptych: John Ford's Cavalry films
The digitization of cinematic visual effects: Hollywood's coming of age
Slouching towards redemption: on the nature and process of screen redemption
Reflecting absence, mediating ‘the Real’: Oblivion as a requiem for 9/11
Post-war modernist cinema and philosophy: confronting negativity and time
From otherness 'over there' to virtual presence: Camp de Thiaroye - the Battle of Algiers - Hidden
Feminist cinematic television: authorship, aesthetics and gender in Pamela Adlon's Better Things
Ethics goes to the movies: an introduction to moral philosophy
Difficult relations: film studies and continental European philosophy
Critique and cinematic projections of postcolonial Delhi
Consistent pickings but few difficult pleasures (55th Sydney Film Festival)
Communication, creativity and consilience in cinema: a comparative study of the top 20 Return-on-Investment (RoI) movies and the doxa of screenwriting
Charting the web: at the demonic, utopian heart of Rivette's 1970s Cinema
Broken glass by the road: Adorno and a cinema of negativity
- Hamilton, Emma L., Rolls, Alistair, Sitbon, Clara
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