Baudelaire’s Paris Looking at Africa, and Vice Versa

- Rolls, Alistair, Johnson, Marguerite

Bypassing Paris, Horizontally and Vertically

- Rolls, Alistair

Vanilla and/or Vanilla Twist: Political Representation and Equilibrium in Assault on Precinct 13

- Hamilton, Emma, Rolls, Alistair

Vanilla Twist Again: Passing, Loitering, and Intertextual Equilibrium in John Carpenter’s Assault on Precinct 13

- Rolls, Alistair, Hamilton, Emma

Elles se rendent pas compte intertextuel et paratextuel: un Chinetoque peut-il en cacher un autre?

- Rolls, Alistair

Telling Tales: The True Story of The Handmaid’s Tale

- Rolls, Alistair

An age of contradiction, or who killed Colonel Protheroe?

- Rolls, Alistair

As sedate as swans: the Parisian side of Jean-Paul Sartre's La Nausée

- Rolls, Alistair

Charles Baudelaire's Paris spleen: re-presenting Paris

- Rolls, Alistair

Introduction: remembering in Paris and Paris as remembering

- Rolls, Alistair, Johnson, Marguerite

Looking (back) at the Moon in Parisian Cinema

- Rolls, Alistair

Murder most incidental: Arthur Upfield’s death of a Lake (1954)

- Franks, Rachel, Rolls, Alistair

Primates in Paris and Edgar Allan poe's paradoxical commitment to foreign languages

- Rolls, Alistair

The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*

- Rolls, Alistair, Sitbon, Clara

"Tiret ou (ne) pas tiret? la double auctorialite chez San-Antonio et Vernon Sullivan"

- Rolls, Alistair, Sitbon, Clara

Beginnings and Endings

- Rolls, Alistair

Conclusion: Boris Vian, Vernon Sullivan et autres Pierre Bayard: relire Vian à la lumière de la critique policière

- Rolls, Alistair

Homogenizing the radical, or vice versa? adapting (to) The Murder of Roger Ackroyd

- Rolls, Alistair, Franks, Rachel

Introduction: Boris Vian, polymathe centenaire et intemporel

- Andréo, Benjamin, Rolls, Alistair, Sitbon, Clara, Vuaille-Barcan, Marie-Laure

Introduction: loitering on

- Gosetti, Valentina, Rolls, Alistair