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Your selections:
An age of contradiction, or who killed Colonel Protheroe?
- Rolls, Alistair
As sedate as swans: the Parisian side of Jean-Paul Sartre's La Nausée
Charles Baudelaire's Paris spleen: re-presenting Paris
Murder most incidental: Arthur Upfield’s death of a Lake (1954)
- Franks, Rachel, Rolls, Alistair
Primates in Paris and Edgar Allan poe's paradoxical commitment to foreign languages
"Tiret ou (ne) pas tiret? la double auctorialite chez San-Antonio et Vernon Sullivan"
- Rolls, Alistair, Sitbon, Clara
Beginnings and Endings
Homogenizing the radical, or vice versa? adapting (to) The Murder of Roger Ackroyd
- Rolls, Alistair, Franks, Rachel
Introduction: loitering on
- Gosetti, Valentina, Rolls, Alistair
L'Automne a Pekin, ou la transmedialite mise en scene
- Rolls, Alistair, Sitbon, Clara, Hamilton, Emma L.
Saving Paris from nostalgia: jumbling the urban and seeing swans everywhere
The Ethics of Reading in the Double Negative
Adapting to loiterly reading: Agatha Christie's original adaptation of "The witness for the prosecution"
Criminal moves: towards a theory of crime fiction mobility
- Gulddal, Jesper, King, Stewart, Rolls, Alistair
Just a dream: a partial re-solution of Agatha Christie's 'And then there were none': A case of almost, but not quite, getting the job done
Moving Fergus Hume’s The Mystery of a Hansom Cab and Breaking the Frame of Poe’s ‘The Murders in the Rue Morgue’
Auteur is French for Author, too: Translating Other Afterthoughts Inspired by King Vidor's Duel in the Sun into French Literature
- Hamilton, Emma L., Rolls, Alistair, Sitbon, Clara
Empty Sydney or Sydney emptied: Peter Corris's national allegory translated
Ex uno plures: Global French in, on and of the rue morgue and the orient express
Heads and tails: Apocope, decollation and detective fiction's inherent self-alterity
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