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Detecting and (re)solving conflicts in French crime fiction: introduction
- Anderson, Jean, Kimyongür, Angela, Rolls, Alistair
- Bondil, Pierre, Vuaille-Barcan, Marie-Laurie, Rolls, Alistair
- Bondil, Pierre, Vuaille-Barcan, Marie-Laure, Rolls, Alistair
Writing for the discipline in the discipline?
- Buzzi, Olivier, Grimes, Susan, Rolls, Alistair
- Fornasiero, Jean, Rolls, Alistair, Vuaille-Barcan, Marie-Laure, West-Sooby, John
Murder most incidental: Arthur Upfield’s death of a Lake (1954)
- Franks, Rachel, Rolls, Alistair
Making a meal of it: food as a symbol of degrees of fiction in the novels of Arthur Upfield
- Franks, Rachel, Rolls, Alistair
- Gosetti, Valentina, Rolls, Alistair
Mobile criticism: Pierre Bayard's irreverent hermeneutics
- Gulddal, Jesper, Rolls, Alistair
Detective fiction and the critical-creative nexus
- Gulddal, Jesper, Rolls, Alistair
Criminal moves: towards a theory of crime fiction mobility
- Gulddal, Jesper, King, Stewart, Rolls, Alistair
The Larrikin as Hero (in French Studies)
- Hainge, Greg, Rolls, Alistair
Introduction. Editors on auteurs: thoughts on auteurism from the frontier
- Hamilton, Emma, Rolls, Alistair
- Hamilton, Emma L., Rolls, Alistair, Sitbon, Clara
- Hughes, Neil, Rolls, Alistair
- Johnson, Marguerite, Rolls, Alistair
Variations on the hexagon: getting the measure of culture change in contemporary France
- Pratt, Murray, Rolls, Alistair
On moving and (inter) disciplinarity: thinking about Australian French studies in the active voice
- Robert, Julie, Rolls, Alistair, Vuaille-Barcan, Marie-Laure
"Je Suis comme une truie qui broute": une lecture pomologique de Truismes de Marie Darrieussecq
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