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World Crime Fiction

The Foreignizing Crime Novel: Anatomy of a Publishing Phenomenon

Primates in Paris and Edgar Allan poe's paradoxical commitment to foreign languages

The existentialist roots of noir: on the literary influences of Shoot the Wild Birds

Introduction: new directions in crime fiction scholarship

Criminal moves: towards a theory of crime fiction mobility

Empty Sydney or Sydney emptied: Peter Corris's national allegory translated

Origins and Legacies of Marcel Duhamel's Série Noire

Agatha Christie's 'Dead Man's Folly': stagnation, negation and adaptation

Creative, critical, intertextual: Agatha Christie's The Murder of Roger Ackroyd

Disparitions et réapparitions, Mort et Renaissance: les traductions fantasques de Marcel Duhamel

Empty Sydney or Sydney emptied: Peter Corris's national allegory translated

Learning all the tricks: critiquing crime fiction in a creative writing PhD

Liminal translation, translating liminality and translatability as limen: Andrea Camilleri's The Shape of Water

Mavis Seidlitz: partner in crime and metonym for crime fiction partnership

Rereading investigation and re-presenting private investigators

Translating national allegories: the case of crime fiction

Vernon Sullivan's alter ego interpretation

Whose national allegory is it anyway? Or what happens when crime fiction is translated?

'There's a dead body in my library': crime fiction texts and the history of libraries

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