"Je Suis comme une truie qui broute": une lecture pomologique de Truismes de Marie Darrieussecq

- Rolls, Alistair

"This lovely, sweet refrain": reading the fiction back into Nausea

- Rolls, Alistair

"Tiret ou (ne) pas tiret? la double auctorialite chez San-Antonio et Vernon Sullivan"

- Rolls, Alistair, Sitbon, Clara

Adapting to loiterly reading: Agatha Christie's original adaptation of "The witness for the prosecution"

- Rolls, Alistair

Agatha Christie's 'Dead Man's Folly': stagnation, negation and adaptation

- Rolls, Alistair

An age of contradiction, or who killed Colonel Protheroe?

- Rolls, Alistair

An ankle queerly turned, or the fetishised bodies in Agatha Christie's The Body in the Library

- Rolls, Alistair

An uncertain space: (dis-)locating the Frenchness of French and Australian detective fiction

- Rolls, Alistair

As sedate as swans: the Parisian side of Jean-Paul Sartre's La Nausée

- Rolls, Alistair

Auteur is French for Author, too: Translating Other Afterthoughts Inspired by King Vidor's Duel in the Sun into French Literature

- Hamilton, Emma L., Rolls, Alistair, Sitbon, Clara

Baudelaire's Paris: a new, urban (prose) poetics

- Rolls, Alistair

Baudelaire’s Paris Looking at Africa, and Vice Versa

- Rolls, Alistair, Johnson, Marguerite

Baz Luhrmann's William Shakespeare's Romeo + Juliet: The nauseous art of adaptation

- Rolls, Alistair

Beginnings and Endings

- Rolls, Alistair

Blended learning and disciplinarity: negotiating connections in French Studies in regional universities

- Hughes, Neil, Rolls, Alistair

Boris Vian's eternal sunshine, or the truth about mother's textuality

- Rolls, Alistair

Boris Vian: a life in paradox

- Rolls, Alistair, West-Sooby, John, Fornasiero, Jean

Bypassing Paris, Horizontally and Vertically

- Rolls, Alistair

C'est en se deguisant qu'on devient Boris Vian: J'irai cracher sur vos tombes et al 'bonne litterature erotique latine'

- Rolls, Alistair

Camus’ Algerian in Paris: a prose poetic reading of L’Étranger

- Rolls, Alistair