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"A veray patronesse": Margaret Beaufort and the early English printers
- Pender, Patricia
A copy of a copy of a copy: framing the double in Fight Club
- Kinder, Elizabeth, Pender, Patricia
Abram E. Cutter's archive of 'Bradstreetiana' in the Boston Public Library
Afterword: reading early modern women and the poem
- Pender, Patricia, Smith, Rosalind
Andrew and the homoerotics of evil
Between 'Sygne' and 'Substance': rhetorics of figurality in the 'Examinations of Anne Askew'
Dispensing quails, mincemeat, leaven: Katherine Parr's patronage of the paraphrases of Erasmus
Early modern women's writing and the rhetoric of modesty
Editing early modern women in the digital age
- Smith, Rosalind, Pender, Patricia
Framing the Reformation woman writer: John Bale's prefaces to Anne Askew's Examinations
From paratext to epitext: mapping the authorial apparatus in early modern women's writing
Gifts that matter: Katherine Parr, Princess Elizabeth, and the Prayers or Meditations (1545)
I'm Buffy and you're history: Buffy the Vampire Slayer and contemporary feminism
Introduction: early modern women's texts: production, transmission and reception
Introduction: Gender, Authorship, and Early Modern Women's Collaboration
- Pender, Patricia, Day, Alexandria
Material cultures of early modern women's writing
Patterns of print: women's textual patronage in the "early" early modern period
Perpetration, victimhood and blame: Australian newspaper representations of domestic violence, 2000-2020
- Karageorgos, Effie, Boyle, Amy, Pender, Patricia, Cook, Julia
Reading Bale reading Anne Askew: contested collaboration in The Examinations
Rethinking authorial reluctance in the paratexts to Anne Bradstreet's poetry
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