'An orchid in the land of technology': narrative and representation in Lars von Trier's 'Medea'

- Joseph, Susan, Johnson, Marguerite

'Toothless intellectuals', 'the misery of the poor', 'poetry after Auschwitz', and the white, middle-class audience: the moral perils of Kosky and Wright's 'The Women of Troy' (or, how do we regard the pain of others?)

- Johnson, Marguerite

A reading of Sappho poem 58, fragment 31 and Mimnermus

- Johnson, Marguerite

Alcibiades and the Socratic lover-educator

- Johnson, Marguerite, Tarrant, Harold

Away from the light: dark aspects of the goddess

- Johnson, Marguerite

Baudelaire and the Classical Tradition: Virgil, Ovid and Sappho in Paris

- Johnson, Marguerite

Black Out: Classicising Indigeneity in Australia and New Zealand

- Johnson, Marguerite

Boadicea and British Suffrage Feminists

- Johnson, Marguerite

Boudicca

- Johnson, Marguerite

Cattullus 2B: the development of a relationship in the passer trilogy

- Johnson, Marguerite

Catullus' fantastical memories - poem 68 and writing trauma

- Johnson, Marguerite

Catullus, C. 37 and the theme of magna bella

- Johnson, Marguerite

Classical reception studies: some pedagogical approaches

- Johnson, Marguerite

Drawing down the goddess: the ancient {female} deities of modern paganism

- Johnson, Marguerite

Eighteenth and Nineteenth-Century Sapphos in France, England, and the United States

- Johnson, Marguerite

Eroticized environments: Ancient Greek natural philosophy and the roots of erotic ecocritical contemplation

- Sharkie, Thomas, Johnson, Marguerite

Getting under the skin to read the signs: the call of classical myths and mysteries in Leigh Redhead's 'Peepshow'

- Johnson, Marguerite, Rolls, Alistair

Indigeneity and classical reception in The Voyage of Governor Phillip to Botany Bay

- Johnson, Marguerite

Introduction

- Johnson, Marguerite

Introduction: remembering in Paris and Paris as remembering

- Rolls, Alistair, Johnson, Marguerite