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A stealthy revolution: tradition and destabilisation in ousmane sembène's 'Moolaadé'
- Ford, Hamish
Andrei Roublev
Broken glass by the road: Adorno and a cinema of negativity
Charting the web: at the demonic, utopian heart of Rivette's 1970s Cinema
Consistent pickings but few difficult pleasures (55th Sydney Film Festival)
Dancing with death: Whity, a singular Western
Difficult relations: film studies and continental European philosophy
Driving into the void: Kiarostami's 'Taste of Cherry'
From otherness 'over there' to virtual presence: Camp de Thiaroye - the Battle of Algiers - Hidden
Generative apogee and elegiac expansion: European film modernism from Antonioni to Angelopoulos
Hard clarity, vaporous ambiguity: the fusion of realism and modernism in Antonioni's early 1960s films
On slippery ground: Robert Altman, beyond Hollywood or modernism
Post-war modernist cinema and philosophy: confronting negativity and time
Producing revolutionary history on film: Henri Lefebvre's urban space and Peter Watkins' La Commune (Paris, 1871)
Screening the 'other' Deutschland
Situating Ingmar Bergman and world cinema
- Ford, Hamish, Humphrey, Daniel
The porous frame: visual style in Altman's 1970s films
The return of 1960s modernist cinema
The Silence
Two or three things I know about her
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