"Mingled yarn": the state of computing in Shakespeare 2.0
- Hirsch, Brett D., Craig, Hugh
'An image of the times': Ben Jonson's revision of Every Man in his Humour
'She learned romance as she grew older': Persuasion as the 'natural sequel' to Sense & Sensibility
'Speak, that I may see thee': Shakespeare characters and common words
A and an in English Plays, 1580-1639
A collaboration about a collaboration: the authorship of King Henry VI, Part Three
A novel clustering methodology based on modularity optimisation for detecting authorship affinities in Shakespearean era plays
- Naeni, Leila M., Craig, Hugh, Berretta, Regina, Moscato, Pablo
An information theoretic clustering approach for unveiling authorship affinities in Shakespearean era plays and poems
- Arefin, Ahmed Shamsul, Vimieiro, Renato, Riveros, Carlos, Craig, Hugh, Moscato, Pablo
AUTHORIAL ATTRIBUTION AND SHAKESPEAREAN VARIETY: GENRE, FORM AND CHRONOLOGY
Authorship, Computers, and Comparative Style
- Colyvas, Kim, Egan, Gabriel, Craig, Hugh
Charles Dickens and Joseph Parkinson: disentangling composite authorship in All the Year Round
Common-words frequencies, Shakespeare's style, and the elegy by W. S
Did Dickens write "Temperate Temperance"?: (an attempt to identify authorship of an anonymous article in All the Year Round)
Exploring the potential for corpus-based research in speech-language pathology
- Ferguson, Alison, Craig, Hugh, Spencer, Elizabeth
George Chapman, John Davies of Hereford, William Shakespeare, and A Lover's Complaint
Identifying another goldfields reporter: Frederick Dalton (1815-80)
- Dalton, Brendan, Antonia, Alexis, Crabb, Peter, Craig, Hugh
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