Audio mastering: experimenting on the creative system of music production

Title: Audio mastering: experimenting on the creative system of music production
Creator: Paton, Bryan; McIntyre, Phillip
Relation: 2nd International Conference on Music Communication Science (ICoMCS2). Proceedings of the 2nd International Conference on Music Communication Science (ICoMCS2) (Sydney 3-4 December, 2009) p. 75-78
Relation: http://marcs.uws.edu.au/links/ICoMusic09/fullreviewedpapers.html
Publisher: HCSNet, University of Western Sydney
Resource Type: conference paper
Date: 2009
Description: If creative productivity emerges from human interactions and these interactions are increasingly mediated by technologies it should be possible to seek empirical confirmation that specific technologies contribute, in whatever degree, to the creative output of particular forms of cultural productions. To test this idea the contention of this paper is that one should be able to detect a differential response to a recorded piece of music that has been mastered, from a piece of music that is un-mastered, at the point of audience reception. Audience response was measured on three emotion scales and it was confirmed that responses did change dependent on whether participants were listening to un-mastered or mastered versions of the same recorded piece.
Subject: audio mastering; audience response; recorded music
Identifier: uon:8906
Identifier: http://hdl.handle.net/1959.13/919558
Identifier: ISBN:9781741082036
Reviewed

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