For the sake of variety

- Pickering, Michael

From Pedrolino to a Pierrot: the origin, ancestry and ambivalence of the British Pierrot Troupe

- Calvert, Dave

Here from There—travel, television and touring revues: internationalism as entertainment in the 1950s and 1960s

- Bollen, Jonathan

Reframing tradition: Le Quy Duong’s festival theatre

- Hayes, Janys

Sex, death, Dickens, and the early American musical

- Senelick, Laurence

The Diva Re-Vamped: destabilising notions of the diva in the cabaret of Paul Capsis and Meow Meow

- Loth, Jo

The evolution of entertainment news: “Entertainment Tonight’s” legacy to news programs and media culture

- Magee, Sarah

Transatlantic journeys: John Bill Ricketts and the Edinburgh Equestrian Circus

- Baston, Kim

“You base football player” (King Lear 1.5.91): the rise and significance of the soccer play as index of identity

- Bennett, John

The 'D'Oyly Carte pantomimes': complementarity and innovation

- Arrighi, Gillian

Editorial

- Emeljanow, Victor

Full Houses: mobility and complicity in the dramas of real buildings

- Davies, Paul

Look out behind you?

- Kelly, Veronica

Monstrosity as spectacle: the Two Inseparable Brothers’ European tour of the 1630s and 1640s

- Jillings, Karen

Performing Māori: Kapa Haka on the stage and on the ground

- Mazer, Sharon

Reverse ethnology in Punch

- Goodall, Jane

Sport, entertainment and the live(d) experience of cheering

- Bicknell, Kath

The very model of a modern...? reflections around The Empire Actors

- McPherson, Alisa

Will Sommers' Suit

- Astington, John H.

“‘Real Live’ Indian”: Sitting Bull’s performance of Self in Buffalo Bill’s Wild West

- Magelssen, Scott, Nees, Heidi L.