Circus studies: where to next?

- Arrighi, Gillian

Editorial

- Leonhardt, Nic

Editorial

- Emeljanow, Victor

Industrialised music brokers as competing market players: the administration of music rights in Germany (ca. 1870-1930)

- Pahlow, Louis S.

International advocacy for fire prevention: calculating risk and brokering best practices in theatres

- Davis, Tracy C.

Managing theatre and cinema in colonial India: Maurice E. Bandmann, J.F. Madan and the war films’ controversy

- Balme, Christopher

Parlour conflagrations: science and special effects in manuals for amateur theatricals

- Curley, Eileen

‘A theatrical meteor,’ Francis Nesbitt McCron (c.1807-1853) and his travels from the Old World to the Australian colonies and the San Francisco goldfields

- Pelosi, Janette

Black Fridays: Transatlantic entertainments and the racial construction of Robinson Crusoe’s Man Friday

- Pettersen Lantz, Victoria

Editorial

- Emeljanow, Victor

Melodrama in the Snowy Mountains: the Cooma little theatre production of Only an Orphan Girl (1962)

- McGaw, Janet

Novel routes: circus in the Pacific, 1841-1941

- St Leon, Mark

The American path: from the pleasure garden to the amusement park

- Stubbs, Naomi J.

The mountain bandits of the Hellenic Shadow Theatre of Karaghiozis: criminals or heroes?

- Papageorgiou, Ioanna

A hop, a frock, a hairdo: a hop, a frock, a hairdo: Irene Castle and her female networks of theatrical business

- Leonhardt, Nic

Beyond Svengali: contemporary stage hypnosis performance techniques and psychophysical actor training

- Stroud, Cynthia D.

Come over here! the local hybridisation of international ‘Ragtime Revues’ in Australia

- Kelly, Veronica

Editorial

- Emeljanow, Victor

Editorial

- Emeljanow, Victor

Fabricating space: postmodern popular music performance venues on cruise ships

- Cashman, David