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Your selections:
Dancing around white fragility: El Vez 4 Prez in the time of Trump
- Martinson, Karen Jean
Editorial
- Emeljanow, Victor
In the belly of the beast: the itinerant British showman and the definition of ‘seer performance’
- Lidington, Tony
Investigating modernity through the lens of a recreation venue: pleasure gardens in late imperial St. Petersburg and Moscow
- Ryabova, Svetlana
Re-valuing Swedish outdoor theatre
- Stromberg, Mikael
The first German genocide enters the popular stage: colonial theatricality in Berlin, 1904-1908
- Skwirblies, Lisa
The speculative act in theatre and performance studies
- Mazer, Sharon
Then and Now – Sorlie’s tour to Broken Hill in 1960
- Bollen, Jonathan
Tremendous success and terrible failure: the Broadway shows of Edward Gorey
- Gunn, Tony
Zarzuela and the rise of the labour movement in Spain
- Schinasi, Michael
A voyage to the new world: Viola’s journey to view man’s estate in shōjo manga Twelfth Night
- Chen, Yilin
Between modernism and Japonism: The Mousmé and the cultural mobility of musical comedy
- Balme, Henry
Performing farmscapes on urban streets
- Haedicke, Susan C.
To love or not to be: Janek Ledecky’s musical hamlet and Shakespeare negotiations in Korea
- Im, Yeeyon
‘New’ hippodrama, or ‘old’ circus?: Legacy and innovation in contemporary equestrian performance
- Baston, Kim
A contemporary history of circus arts in Buenos Aires, Argentina: the post-dictatorial resurgence and revaluation of circus as a popular art
- Infantino, Julieta
Brokering sonic modernities: migrant Manila musicians in the Asia Pacific, 1881-1948
- yamomo, meLê
Circus studies: where to next?
- Arrighi, Gillian
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